Archive for July, 2006

Ordinary People

This entry was posted on Monday, July 31st, 2006 at 4:25 pm by Stuart Davis

Song of the day: Where The Colors Don’t Go / Sam Phillips
Word of the day: Malposed / badly placed

Oh, I LOVE Ordinary People. Have seen this movie five or six times, and it’s just so fucking good. Directed by Robert Redford (may be my fav thing he’s done), starring Donald Sutherland, Mary Tyler Moore, Judd Hirsch, and Timothy Hutton. AND THEY ALL KNOCK IT OUT OF THE PARK. But I’m not here to review the film, I just want to point something out.

Everybody always raves and praises the scene in Goodwill Hunting where Robin Williams and Matt Damon’s character have that big break through (where he’s going “it’s not your fault, it’s not your fault”). But HOLY SHIT it is SUCH a RIP OFF from Ordinary People. I mean, basically they stole that scene. Go watch ordinary people, first of all because it’s a flawless movie. Without a doubt, Mary Tyler Moore’s best work, but all of these actors were at the top of their game. God, you really can feel the pain from all of them. But also, check out that scene between Judd Hirsch and Timothy Hutton, and TELL ME they didn’t steal that shit and use it in Goodwill Hunting.

Just saying.


Warren Zevon, Remembered

This entry was posted on Tuesday, July 25th, 2006 at 1:01 pm by Stuart Davis

song of the day: Roland The Headless Thompson Gunner / Warren Zevon
word of the day: pilgarlic / a hapless bald-headed man

Oh, I miss Warren Zevon. Never knew him, but I’ve always thought he was one of the greatest songwriters. I didn’t even know he was dead (I knew he was fatally ill, though) until I saw the special on VH1 where they’re making his last album as he is literally in his last dying days. Bruce Springsteen, a bunch of other stars are on the record with him. It’s fucking rough. He’s still smoking (died of cancer) to the very end, sneaking cigarettes in the alley. And hey, let people live and die how they want to. Life is so short. My fav Zevon songs:

Excitable Boy
Play It All Night Long
Roland the Headless Thompson Gunner
Johnny Strikes Up The Band
Lawyer’s Guns and Money
Ain’t That Pretty At All
Poor Poor Pitiful Me
Accidentally, Like A Martyr
Boom Boom Mancini
The Factory
Reconsider Me
Detox Mansion
Keep Me In Your Heart
Networking
I’ll Sleep When I’m Dead

Today I was thinking I should make this year the year that I forgive every one for everything. Radical forgiveness. Not just people that (I think) did shit that hurt me, etc, but every one who did everything to anyone. I’m not saying getting rid of the power to discriminate. It doesn’t mean condoning or endorsing hurtful action or intention. Just forgiving. Radical forgiveness. I think I need to adopt this as a daily, on-going lifelong practice. I can be one judgemental mother fucker.

Why did I remember this listening to Warren Zevon? I just remember watching him die, and how it SUNK IN that 99.99% of all the shit we get so worked up about is just NOTHING. It’s vapor. Because WE’RE VAPOR. Each of us is a wispy mirage, a miraculous phantom passing in and out of being. It’s impossibly brief. (warren’s last album was called “the wind”, funny, huh?)

I had this thing pop into my head when I was a kid. I was laying on my back, looking at the sky, stunned at the beauty of the World, thinking how I did not want to die young, because I wanted to play on this planet as long as I could. Then a thought popped into my head “all lives are the same length.” I did not even know what that meant, but it made sense. Later I had similar eurekas like “there’s no such thing as ‘two times’” and “there’s no such thing as ‘two places’” and that made sense too, but i did not know why.

What eventually sinks into our being -as directly felt experience- is that we are already dead. That is to say, the awareness that is here, right now, reading these words, is the very same awareness that was there when I was a kid, is the same awareness that was there before I was born, is the awareness that will be there after I’m dead. That awareness is not in time. It isn’t born, made, located anywhere. It doesn’t pass in or out of existence. It will be there after you’re dead. See? That part is already dead, because it isn’t born, doesn’t die. So so simple. Don’t worry if it doesn’t make sense, it won’t matter. We suffer simple cases of mis-taken identity in the most literally sense. We “miss-take” passing qualities for our identity. Like human, boy, girl, living, dead, awake, asleep, healthy, sick, moral, immoral. But Reality -the awareness that does not come or go- has no qualities or characteristics. It’s an honest mistake on our part.

I am abiding in that awareness as I listen to Warren Zevon today. Right now he’s singing “If I leave you, it doesn’t mean I love you any less, keep me in your heart for a while.”

I have you in my Heart, Warren. Thank you for your beautiful music and sharing your love with us, as beauty, as passion, as shadow and light.


God’s Comic / Colored People

This entry was posted on Monday, July 24th, 2006 at 11:33 pm by Stuart Davis

Song(s) of the Day: God’s Comic / Elvis Costello & Colored People / DC Talk
Word Of the Day: Linguipotence / mastery of languages

Perfect. SO perfect. Today, two songs for your aural arousal. First, Costello doing it the way only he can. Singing in first person, giving us the perspective of the court jester to the Absolute. Can I admit I identify with this song a bit? The best part is that massive fucking PAUSE. Big tacit gap. Very musical, and goes on long enough to make you think “oh, the song’s over…” then no, it’s not. And I love how he backs HIMSELF up on the chorus…

“now I’m dead, now I’m dead, now I’m dead”

Funny too, when he sings “there He was, on a waterbed, drinking a cola of a mystery brand / listenin’ to Andrew Lloyd Weber’s Requiem…” that’s fucking funny, people.

Speaking of people. We are COLORED people. Yeah, would you BELIEVE that I have actually found a christian rock song I like? Yeah. It’s corny, but I dig it. I can’t believe I’m actually going to tell you to go to iTunes and buy a DC Talk song, but… It’s a really good song. And I sing it, around the house and what not. “colored people and we live in a tainted place…” it’s really good. It’s literally the first Christian rock song I’ve ever heard that I liked. So, I’m converting from Buddhism to Christianity.

Just kidding. Heresy is my church, blasphemy my balm.


Here is a video of (my hero) Arab-American Psychologist Wafa Sultan

This entry was posted on Thursday, July 20th, 2006 at 5:43 pm by Stuart Davis

This woman is my hero. WATCH THIS VIDEO. A lucid, sane voice of an Arab woman contending with the bizarre, antiquated fundamentalism of the berzerkers trying to undermine civilization.


Pryo Buddhas

This entry was posted on Thursday, July 20th, 2006 at 9:21 am by Stuart Davis


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16.5 x 20
Calligraphy, fire and ink on rice paper
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Dakini Vertigo

This entry was posted on Thursday, July 20th, 2006 at 9:04 am by Stuart Davis


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MAHR-see-yah / Subtle vertigo, induced by Dakini.
This is calligraphy done with fire and ink on rice paper.

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Buddha In Hell

This entry was posted on Thursday, July 20th, 2006 at 8:57 am by Stuart Davis


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Created using fire on foam board.
Phenomenological Syntax in upper left corner, Poem in IS etched along right side in the soot.
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Dai Kee

This entry was posted on Thursday, July 20th, 2006 at 8:52 am by Stuart Davis


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Great Vessel, meditating in the kiln
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Musho

This entry was posted on Thursday, July 20th, 2006 at 8:52 am by Stuart Davis


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“Musho” Incindiary Feminine Deity
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Cliff Notes On My New CD / ¿What

This entry was posted on Wednesday, July 19th, 2006 at 3:25 pm by Stuart Davis

Song Of The Day: ¿WHAT
Word Of The Day: Sarmassophobia / A fear of love play, especially in women

Friends and lovelies, we have come to the last two songs, I’m not going to expound upon their meaning too much. That’s because these last two songs are too precious to fuck up with my babble. ¿What and Glass- are probably two of my favorites I’ve ever written, and I have no idea how I even got my stupid head out of the way long enough to let them through. I will say this about them. ¿What is my personal trans-rational signifier for the Big Enigma. If you look it up in an English dictionary, you will see something like:

what P Pronunciation Key (hwt, hwt, wt, wt; hwt, wt when unstressed)
pron.
1 a Which thing or which particular one of many: What are you having for dinner? What did she say?
b Which kind, character, or designation: What are these objects?
c One of how much value or significance: What are possessions to a dying man?
2 a That which; the thing that: Listen to what I tell you.
b Whatever thing that: come what may.
3 Informal. Something: I’ll tell you what.
4 Nonstandard. Which, who, or that: It’s the poor what gets the blame.

But those are just the surfaces of this word. To me, ¿What is the Cloud of Unknowing, the Impenetrable ~!~¿~!~. It is a door you pass through only by inserting your head in the key hole to be decapitated. It’s a Koan, in short. I decided I would choose a word, one word, to become the signifier of the UnSignifiable. We enter into a placeless place here that is going to seem confusing to anyone who’s not either a Zen practitioner or an Integral practitioner, or an agent in the Mystery. I’m talking about ¿What as a form of Tetramancy, or trans-rational divination conducted through bare awareness to ¿What is arising in all four quadrants at all “times” (although there is no such thing as two “times” and no such thing as two “places”). It’s a Kosmic Koan. In another form it’s also a Zen Koan, “What is it?”, which you may have heard before. But to me, it’s just the one word, and the key is operating with it as it arises spontaneously in intersubjective exchange, the surprise every time its spoken. So, I may hear the word ¿What a hundred times a day, and each time I or someone else uses it, the practice is to fall into ¿What. I don’t even know ¿What that means, and that’s the point. I can’t say shit about ¿What (but You have to say something, as the Zen saying goes…). Why is the question mark upside down every time you see the word ¿What? And why is it before the word instead of after it? Because this is not even a recognizable question. It has never been repeated, or duplicated. It can’t be answered, or ASKED. But it is pure inquiry. “Tetra”, as in “all four quadrants in each moment”, “mancy” as in the method of divination, Tetramancy as in living the unaskable, unanswerable ¿What of all that arises and dissolves in this and every moment. ¿What are you, anyway? ¿What is this? ¿What is asking the question? Seriously, ¿What the fuck? And so it begins. The lyrics to this song have more simultaneous layers of meaning and also layers I don’t have any idea ¿What they mean, but those layers are not meaningless. And I would not want to take away from your experience of Tetramancy by telling you ¿What’s ¿What about ¿What. Just put your head in the key hole and say goodbye to all assumptions about reality.

¿What is what is
we’re gonna make a million
a million ¿What

¿What’s more,
we’re to do it for the children
the children’s ¿What

¿What lit up
the lamps and candles
till the sparks
were scattered in the sky

Is it ¿What
we can feel in the beat
of an open heart
Or ¿What we leave
buried in a question mark

¿What is kicking
at the bottom of a casket
I wanna save it
but I’m too afraid to touch it
¿What is laughing
in the belly of a comet

So ¿What so
every body’s willing
¿What’s next?
it’s all about building
¿What’s wrong?
we’re gonna make a killing

¿What wound up
the mud and water
till the World
was gathered as an I

Is it ¿What
we can feel
in the beat of an open heart
or ¿What we leave
buried in a question mark

¿What’s before
a shining, or a shadow
¿What’s beyond
a mirror, or a window